Dxo filmpack 3 vs 41/2/2024 ![]() I hope they will copy those excelent Lightroom sliders one day. It also affects mid tones.Īlso if I have a photo which needs more drastic highlights recovery I do it in Lightroom because I can't recover as much highlights in DxO as I can in Lightroom or in Capture One. The most anoying is Highlights slider – it doesn't affects just highlights but also mid tones. Let's say I'm using it for 95% of my photos.īut there are some things I don't like and I'm hoping they will fix them in the next release: I only wish I could move those sliders because sometimes they get in a way. I also like ClearView and Prime noise removal is the best out there. ![]() It's very easy to use and gives me very good results. I started with version 8 and did all I could up to version 12 to like it but I don't like it (sorry) so I don't use it.ĭxO Photolab….I must say I like this software very much. I'm using DxO software from version 9 or it was DxO Optics Pro 8? Can't remember.Īnyhow at the moment I'm using DxO Photolab 2 Elite, Lightroom standalone edition 2018 and Capture One Pro 12. Nikon Z fc, Nikkor Z 16-50mm, Nikkor Z 40mm f/2, Nikkor Z 28mm f/2.8 (SE), Nikkor Z DX 18-140mm, Voigtlander 35mm f/1.2, Voigtlander 23mm f/1.2, DXO PhotoLab 5 Elite, DXO FilmPack 6 Elite, DXO ViewPoint 3 Support for the M50 was included in release 2.2 which became available last week. Supposedly support for the M50 is coming in April. The only downsides so far have been (1) no way to delete all photos that have been marked as rejected (I use that to quickly purge shots in LR), (2) adjustments (saturation & luminescence) for individual color channels does not seem to work quite as well, and (3) DxO has not added support yet for the Canon M50 mirrorless body I purchased last year, so I have been forced to convert the RAW files to DNG and then process those within Lightroom 6. The ClearView function makes pulling details out of skies easier. For the most part, I prefer DxO over LR for what I shoot - which is mostly landscapes. DxO Labs has launched FilmPack 3, the latest version of its silver halide film simulation software.I switched from Lightroom 6 to DxO PhotoLab over a year ago for most of my post processing, as I refused to go the subscription route with Adobe. The software now includes the ability to mimic up to 60 famous black and white, and color films, based on calibration from professional prints, giving what the company claims is the most precise film simulation on the market. Version 3 adds new film looks and color filters. It also brings a greater degree of control, including HSL sliders, a channel mixer for optimizing Black and White conversions and, at customer request, the ability to add vignetting. ![]() Custom film styles can also be created by mixing the color response of one film with the grain pattern of another. Press Release: New DxO FilmPack 3 Provides Unrivaled Film Fidelity and Opens Up Boundless Creativity Opportunities The software is available as standalone software or plugins for DxO Optics Pros, Photoshop, Lightroom or Aperture. New features include redesigned User Interface, and extended connectivity with Lightroom, Photoshop and Aperture. DxO FilmPack 3 is available at launch with up to 30 percent discount. Paris, France – DxO Labs today announces DxO FilmPack 3 for Mac and Windows, the latest version of its reference software simulating silver halide film rendition based on DxO Labs' unique 10 years of recognized expertise in calibration. DxO FilmPack 3 allows photographers, from experts to beginners, to recreate the magic of dozens of black & white or color film stocks in one click, offering limitless creative options for their digital images. Leveraging its worldwide known scientific expertise in image quality measurement, and working with world class film processing facilities, Picto - Paris and Duggal - New York, DxO Labs has developed a unique film profiling process, ensuring the most precise film simulation available on the market today.
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